The Angry Exile: Facebook grows a set.

The Hangman

Into our town the Hangman came,
Smelling of gold and blood and flame.
And he paced our bricks with a diffident air,
And built his frame in the courthouse square.
The scaffold stood by the courthouse side,
Only as wide as the door was wide;
A frame as tall, or little more,
Than the capping sill of the courthouse door.
And we wondered, whenever we had the time,
Who the criminal, what the crime
That the Hangman judged with the yellow twist
of knotted hemp in his busy fist.
And innocent though we were, with dread,
We passed those eyes of buckshot lead --
Till one cried: "Hangman, who is he
For whom you raised the gallows-tree?"
Then a twinkle grew in the buckshot eye,
And he gave us a riddle instead of reply:
"He who serves me best," said he,
"Shall earn the rope of the gallows-tree."
And he stepped down, and laid his hand
On a man who came from another land.
And we breathed again, for another's grief
At the Hangman's hand was our relief
And the gallows-frame on the courthouse lawn
By tomorrow's sun would be struck and gone.
So we gave him way, and no one spoke,
Out of respect for his Hangman's cloak.
The next day's sun looked mildly down
On roof and street in our quiet town,
And stark and black in the morning air
Was the gallows-tree in the courthouse square.
And the Hangman stood at his usual stand
With the yellow hemp in his busy hand;
With his buckshot eye and his jaw like a pike
And his air so knowing and business-like.
And we cried, "Hangman, have you not done
Yesterday, with the foreign one?"
Then we fell silent, and stood amazed,
"Oh, not for him was the gallows raised."
He laughed a laugh as he looked at us:
"Did you think I'd gone to all this fuss
To hang one man? That's a thing I do
To stretch a rope when the rope is new."
Then one cried "Murder!" and one cried "Shame!"
And into our midst the Hangman came
To that man's place. "Do you hold," said he,
"with him that was meant for the gallows-tree?"
And he laid his hand on that one's arm.
And we shrank back in quick alarm!
And we gave him way, and no one spoke
Out of fear of his Hangman's cloak.
That night we saw with dread surprise
The Hangman's scaffold had grown in size.
Fed by the blood beneath the chute,
The gallows-tree had taken root;
Now as wide, or a little more,
Than the steps that led to the courthouse door,
As tall as the writing, or nearly as tall,
Halfway up on the courthouse wall.
The third he took -- we had all heard tell --
Was a usurer, and an infidel.
"What," said the Hangman "have you to do
With the gallows-bound, and he a Jew?"
And we cried out, "Is this one he
Who has served you well and faithfully?"
The Hangman smiled: "It's a clever scheme
to try the strength of the gallows-beam."
The fourth man's dark, accusing song
Had scratched our comfort hard and long;
"And what concern," he gave us back.
"Have you for the doomed -- the doomed and Black?"
The fifth. The sixth. And we cried again,
"Hangman, Hangman, is this the man?"
"It's a trick," he said. "that we hangmen know
For easing the trap when the trap springs slow."
And so we ceased, and asked no more,
As the Hangman tallied his bloody score.
And sun by sun, and night by night,
The gallows grew to monstrous height.
The wings of the scaffold opened wide
Till they covered the square from side to side;
And the monster cross-beam, looking down,
Cast its shadow across the town.
Then through the town the Hangman came,
Through the empty streets, and called my name --
And I looked at the gallows soaring tall,
And thought, "There is no one left at all
For hanging, and so he calls to me
To help pull down the gallows-tree."
So I went out with right good hope
To the Hangman's tree and the Hangman's rope.
He smiled at me as I came down
To the courthouse square through the silent town.
And supple and stretched in his busy hand
Was the yellow twist of the hempen strand.
And he whistled his tune as he tried the trap,
And it sprang down with a ready snap --
And then with a smile of awful command
He laid his hand upon my hand.
"You tricked me. Hangman!," I shouted then,
"That your scaffold was built for other men...
And I no henchman of yours," I cried,
"You lied to me, Hangman. Foully lied!"
Then a twinkle grew in the buckshot eye,
"Lied to you? Tricked you?" he said. "Not I.
For I answered straight and I told you true --
The scaffold was raised for none but you.
For who has served me more faithfully
Then you with your coward's hope?" said he,
"And where are the others who might have stood
Side by your side in the common good?"
"Dead," I whispered. And amiably
"Murdered," the Hangman corrected me:
"First the foreigner, then the Jew...
I did no more than you let me do."
Beneath the beam that blocked the sky
None had stood so alone as I.
The Hangman noosed me, and no voice there
Cried "Stop!" for me in the empty square.

Maurice Ogden

Thursday, 15 July 2010

Facebook grows a set.

'Facebook is a place where people can express their views and discuss things in an open way as they can and do in many other places, and as such we sometimes find people discussing topics others may find distasteful, however that is not a reason in itself to stop a debate from happening.''

Good for them but it's funny, isn't it? Sometimes companies like Facebook find it easy enough to get all worked up about free speech and tell governments to stuff off, and I'm right alongside them when they do. But the same companies will freak out and cave in when confronted by a small number of complaints from misogynists, prudes and tittyphobes who object to photos of slightly too anatomically correct dolls or new mothers breastfeeding their babies. This might make sense if most of the whiners were paying to book their faces, but it's a free service so what are they losing if the tittyphobes all sod off somewhere else?

Personally I carry no brief for Raoul Moat or anyone else who goes around shooting unarmed people in revenge for perceived wrongs, and I'm generally inclined to support the police when they're not harassing innocent photographers and chasing victimless crimes that help the clear up rates but are in reality, as the Guide says, mostly harmless. But I accept that not everyone will be of the same opinion and they have as much right to express their thoughts as I do mine. Equally I feel that photographs of breastfeeding mothers can occupy a spectrum from yawn inducing cack that only their family members will be interested in all the way to moving and beautiful (and in keeping with the H2G2 theme I really don't give a pair of foetid dingo kidneys about nipples on dolls). Why can't the tittyphobes and prudes take the same attitude and either stop whining about images that offend them (and almost nobody else) or stop fucking looking at them? For that matter, why can't the Elder Twin start living up to some of these ideals about freedom he espouses from time to time?

Freedom, as I've said before, tends to be pretty black and white, and freedom of speech is no exception. You are free to say what you think or you are not - it's that fucking simple. You are certainly free to say that something someone else has said offends you but that doesn't give you the right to shut them up. It's at the top of the page: there is no right not to be offended. If you can't deal with that without demanding other people's freedom is restricted to suit you and your tastes I'd suggest you go live in a cave somewhere where you can't see or hear the rest of the world not agreeing with you. That goes double if you're a tittyphobe and treble if you're a politician sucking up to tabloid readers.