The Angry Exile: Things I still don't get about Australia

The Hangman

Into our town the Hangman came,
Smelling of gold and blood and flame.
And he paced our bricks with a diffident air,
And built his frame in the courthouse square.
The scaffold stood by the courthouse side,
Only as wide as the door was wide;
A frame as tall, or little more,
Than the capping sill of the courthouse door.
And we wondered, whenever we had the time,
Who the criminal, what the crime
That the Hangman judged with the yellow twist
of knotted hemp in his busy fist.
And innocent though we were, with dread,
We passed those eyes of buckshot lead --
Till one cried: "Hangman, who is he
For whom you raised the gallows-tree?"
Then a twinkle grew in the buckshot eye,
And he gave us a riddle instead of reply:
"He who serves me best," said he,
"Shall earn the rope of the gallows-tree."
And he stepped down, and laid his hand
On a man who came from another land.
And we breathed again, for another's grief
At the Hangman's hand was our relief
And the gallows-frame on the courthouse lawn
By tomorrow's sun would be struck and gone.
So we gave him way, and no one spoke,
Out of respect for his Hangman's cloak.
The next day's sun looked mildly down
On roof and street in our quiet town,
And stark and black in the morning air
Was the gallows-tree in the courthouse square.
And the Hangman stood at his usual stand
With the yellow hemp in his busy hand;
With his buckshot eye and his jaw like a pike
And his air so knowing and business-like.
And we cried, "Hangman, have you not done
Yesterday, with the foreign one?"
Then we fell silent, and stood amazed,
"Oh, not for him was the gallows raised."
He laughed a laugh as he looked at us:
"Did you think I'd gone to all this fuss
To hang one man? That's a thing I do
To stretch a rope when the rope is new."
Then one cried "Murder!" and one cried "Shame!"
And into our midst the Hangman came
To that man's place. "Do you hold," said he,
"with him that was meant for the gallows-tree?"
And he laid his hand on that one's arm.
And we shrank back in quick alarm!
And we gave him way, and no one spoke
Out of fear of his Hangman's cloak.
That night we saw with dread surprise
The Hangman's scaffold had grown in size.
Fed by the blood beneath the chute,
The gallows-tree had taken root;
Now as wide, or a little more,
Than the steps that led to the courthouse door,
As tall as the writing, or nearly as tall,
Halfway up on the courthouse wall.
The third he took -- we had all heard tell --
Was a usurer, and an infidel.
"What," said the Hangman "have you to do
With the gallows-bound, and he a Jew?"
And we cried out, "Is this one he
Who has served you well and faithfully?"
The Hangman smiled: "It's a clever scheme
to try the strength of the gallows-beam."
The fourth man's dark, accusing song
Had scratched our comfort hard and long;
"And what concern," he gave us back.
"Have you for the doomed -- the doomed and Black?"
The fifth. The sixth. And we cried again,
"Hangman, Hangman, is this the man?"
"It's a trick," he said. "that we hangmen know
For easing the trap when the trap springs slow."
And so we ceased, and asked no more,
As the Hangman tallied his bloody score.
And sun by sun, and night by night,
The gallows grew to monstrous height.
The wings of the scaffold opened wide
Till they covered the square from side to side;
And the monster cross-beam, looking down,
Cast its shadow across the town.
Then through the town the Hangman came,
Through the empty streets, and called my name --
And I looked at the gallows soaring tall,
And thought, "There is no one left at all
For hanging, and so he calls to me
To help pull down the gallows-tree."
So I went out with right good hope
To the Hangman's tree and the Hangman's rope.
He smiled at me as I came down
To the courthouse square through the silent town.
And supple and stretched in his busy hand
Was the yellow twist of the hempen strand.
And he whistled his tune as he tried the trap,
And it sprang down with a ready snap --
And then with a smile of awful command
He laid his hand upon my hand.
"You tricked me. Hangman!," I shouted then,
"That your scaffold was built for other men...
And I no henchman of yours," I cried,
"You lied to me, Hangman. Foully lied!"
Then a twinkle grew in the buckshot eye,
"Lied to you? Tricked you?" he said. "Not I.
For I answered straight and I told you true --
The scaffold was raised for none but you.
For who has served me more faithfully
Then you with your coward's hope?" said he,
"And where are the others who might have stood
Side by your side in the common good?"
"Dead," I whispered. And amiably
"Murdered," the Hangman corrected me:
"First the foreigner, then the Jew...
I did no more than you let me do."
Beneath the beam that blocked the sky
None had stood so alone as I.
The Hangman noosed me, and no voice there
Cried "Stop!" for me in the empty square.

Maurice Ogden

Thursday, 18 June 2009

Things I still don't get about Australia - No. 4

The ute. Yes, I know it's the vehicle that Australia has given to the world and that there's a certain pride in that, but I don't get the point of utes. Or I should say many utes. I understand working utes, no problems there. It makes perfect sense for builders, electricians, plumbers, chippies and other trades to have a ute, especially because they're so customizable if you get a tray body one rather than what the rest of the world calls a pick up. Similarly I can see the sense of 4 wheel drive versions for vehicles that get used on farms or building sites a lot, and also as recreational 4x4 vehicles. I'm tempted to get a Hilux tray body and a roof tent kit for exactly that (beats a swag when you've got to nail the bugger down on hard ground before you can sleep in it). No, all that is quite clear to me. What remains a mystery is the coupé style ute, which as far as I can see is a combination of sports car, saloon/sedan and the workhorse ute... but not actually as good as any of them. The ground clearance is too low to be much use on rougher sites let alone off road, and surely most tradies wouldn't want to risk that nice paintwork by chucking tools and materials in the back, even with a liner. And because it's a ute you've compromised the interior even if you get an extra cab or double cab version for ~~the extra~~ a normal number of seats. It's surely not going to be as aerodynamic as a proper sports coupé, so unless someone corrects me on that it seems compromised as a sports car. You do get a shitload of cargo capacity of course, but you get a shitload of room in a regular wagon too and often there's a ute and wagon version of the same car. So why buy, say, a Falcon ute rather than the wagon? And above all else, why do the most popular colours seem to be those of fruit? Most coupé utilities seem to be the colour of apples, lemons, plums or cherries (oh, apart from the very occasional black one), and while it's no more of a big deal than the tea bags the appeal is a mystery to me.

Yep, gotcha.

Huh?

3 comments:

Mummy x said...: Google Duffy, check her out.

According to British Music She is the biggest thing to come out of Wales since coal and Tom Jones. I think she is shite.

Turkey is up but there isn't much talking, blame the quiche !!!!!!!!!!!!

Mummy x; 18 June 2009 at 05:54
Anonymous said...: Utes accelerate like shit off a shovel and it's good to have a friend with one.

Other than that, they're an anachronism.; 18 June 2009 at 07:18
Angry Exile said...: Don't know why but I thought Duffy would be a bloke.

Anonymush, almost anything would go like shit off a shovel with a big enough lump under the bonnet, but surely a conventional Falcon XR8 will go at least as well as the ute version? But I take your point about knowing someone with one since it'd be handy when you've got stuff that needs moving and cheaper than a hire.; 18 June 2009 at 15:24